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中国水彩事业近一二十年迅猛发展,各种画展比赛的举办引得大批艺术家争相追逐。评委和观众们的审美疲劳,导致艺术家们急于创新创意,为了画面新颖耍尽天下奇宝,衍生了中国现代水彩的千姿百态。但笔者认为艺术不是生意,华丽的外衣终归掩饰不住苍白的内心,也只有发至内心深处自然流露的感悟,并配合精妙的技法才能使艺术最终散发出审视人类灵魂的力量。本文从理性的角度客观审视这个现象,以众多画家为讫点,分析水彩绘画的本原,特别针对年轻水彩画家,水彩的明天到底该如何走。
The rapid development of China’s watercolor cause in recent decades, a variety of art exhibitions attracted a large number of artists competing chase. The aesthetic fatigue of the judges and audience led the artists to rush to innovate and creative. However, I believe that art is not a business. Gorgeous garments can not conceal the pale heart in the end. Only the insights that are naturally revealed in the depths of the heart can be exaggeratedly combined with exquisite techniques to enable the arts to eventually shed its power to examine human souls. This article objectively examines this phenomenon from a rational point of view, draws on a number of painters, analyzes the origin of watercolor painting, especially for young watercolorists, and how watercolor should go in tomorrow.