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三月的北京春光明媚,杨柳依依,我以愉悦的心情观赏了西城第一一文化馆精心举办的北京民俗曲艺专场暨纪念曲艺家赵俊良先生逝世一周年。整场皆是京腔京韵,如联珠快书、北京时调小曲、京韵大鼓、拆唱八角鼓、北京曲剧选段、牌子曲、拉大片、群唱莲花落、叫卖大改行等,自始至终洋溢着京味的民俗特色,是谓新版“全堂八角鼓”。京城资深的曲艺家赵玉明、马增慧、李金斗、许娣、张绍荣等也前来助兴、助演。一些形式已多年不见,几乎成为尘封的档案,然今日观之,仍然充满着生命活力,
In March, Beijing was bright in spring and willow willow. In a pleasant mood, I watched the first anniversary of the death of Mr. Zhao Junliang, an elaborate Beijing Folk Folk Art Studio organized by the No.1 Culture Center of Xicheng City. The whole scene is full of Beijing and Beijing rhyme, such as Lianzhu Kuai Shu, Beijing tune tune, Beijing rhyme bass drums, split octagonal drums, Beijing Opera Selections, brand songs, pull large films, sing lotus falls, Folk features, that is, the new version of “all octagonal drums.” The capital’s senior folk artists Zhao Yuming, Ma Zenghui, Li Jindou, Xu Di, Zhang Shaorong, etc. also came to promote and help performances. Some forms have not seen for many years, almost become a dusty file, but today’s view, is still full of vitality,