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21世纪我国当代油画家将艺术取向定位于在结合西方欧美国家油画观基础上,综合已取得的油画艺术成果,努力在油画艺术的表现形式进行更深层次探究。我们知道具象与意象是油画艺术的两类基本表现形式。自油画传入中国起,我国的历代油画家积极的在油画材料与传统文化结合的征程中摸索,经过几十年的努力以期待油画艺术将具象与意象同时的展示出来。对于具象以及意象任一一种形式来说,将油画与我国源远的传统文化精髓相融合,能推进我国油画艺术事业蓬勃发展。本文主要在我国当代油画具象与意象的表现形式上做比较研究。
In the 21st century, contemporary Chinese oil painters orient their artistic orientation to combine the achievements of oil painting made in the western countries based on the concept of oil painting in the western countries and strive to make a deeper exploration of the expression forms of oil painting. We know that figurative and imagery are two basic manifestations of the art of oil painting. Since the introduction of oil paintings into China, ancient oil painters in our country have actively explored the combination of oil painting materials and traditional culture. Through decades of efforts, they are expected to present their images and images simultaneously. For any form of figurative and imagery, integrating oil painting with the essence of traditional culture in our country can promote the flourishing development of Chinese oil painting art. This paper mainly compares the manifestations of contemporary oil painting figurines and images in our country.