这本书叫作“Short Cuts”。这不是一本中国当代艺术史,也不是一本肖像图册。这是一本关于命运、关于chance and luck的Short cuts。命题和创作者的奇妙关系在于:命题选择了它的创造者。真正的创作始于这一刻。托马斯·福瑟(Thomas Fuesser)并没有刻意选择拍摄在中国的艺术家,是“拍摄在中国的艺术家”这件事情选择了托马斯。这是一个有文献库有网络搜索的时代,这些Short Cuts存在的意义是什么?这些业已成名成家的艺术家从不缺乏报 This book is called “Short Cuts.” This is not a history of contemporary Chinese art, nor is it a portrait album. This is a short cut about fate, chance and luck. The fantastic relationship between proposition and creator lies in proposition choosing its creator. The real creation begins at this moment. Thomas Fuesser did not deliberately choose to take pictures of artists in China. Instead, Thomas Fuesser chose Thomas “The Artist Who Photographed in China”. This is an era where there is a web search of the bibliographic database. What are the implications of these Short Cuts? These famous artists have never been less proficient