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约·南迪克是英国先锋派歌唱家中的一位重要的现代音乐家,1987年秋天,她退出歌坛并举行了一场具有特色的告别音乐会。特别值得注意的是在以下的交谈中约·南迪克不断地强调歌词的重要性,和作曲家的严谨品格在音乐中的反映,以及歌唱家为表达这些作品在歌声中注入的情感。迈·芬尼赛:为了演出,你通常是如何准备和处理乐谱的?约·南迪克:我开始先把整个乐谱通览一遍,找出一些可能在应用音域上难处理的地方——太高或太低。然后就看着这歌词思索,‘噢,多么动人’,‘他为什么要选用这些词’接着我就试图对配曲的特点得到些印象:这歌词的处理是否恰当,用的什么手法;这
John Nandik is an important modern musician among avant-garde British singers. In the autumn of 1987, she left the music scene and held a special farewell concert. It is particularly noteworthy that in the following conversations, John Nandic constantly emphasized the importance of the lyrics, the reflections of the composer’s rigors in the music, and the sentiments that the singer infused into the song in order to express these works. Stephanie Fischer: How often do you prepare and handle the score in order to perform? John Nandy: I began to walk through the entire score and figure out some places that might be difficult to apply on the scale - too high Or too low. And then I looked at the lyrics thinking, ’Oh, how touching’, ’Why did he choose these words?’ Then I tried to get some impression of the characteristics of the arrangement: what was the proper handling of the lyrics?