《青楼集》中所记录的女性戏曲艺人的婚配状况中,嫁与乐人为妻是最普遍的情况。这一现象的产生,受到当时乐户“内匹聘者”的国家婚姻制度的影响。这种对女艺人婚配自由的限制,在客观上对戏曲的传承和发展有着一些积极的作用,它有助于戏曲艺术的审美和戏曲艺术的进步,有益于戏曲技艺的传承,受婚姻制度影响而形成的艺人团体,又或以戏班的形式,推动了元杂剧的繁荣。 Among the marriages of female opera artists recorded in “Brothel Collection”, marrying with musicians is the most common situation. The occurrence of this phenomenon was influenced by the national marriage system of the musicians who were “domestic recruiters” at that time. This restriction on the freedom of marriage of female artists has objectively played a positive role in the inheritance and development of traditional Chinese opera. It contributes to the aesthetic appreciation of opera art and the progress of opera art, which is conducive to the inheritance of opera art and is influenced by the marriage system The formation of the artist groups, or in the form of troupe, promoted the prosperity of Yuan drama.