我的工作一直关注中国今天这个压缩的现代性神话背后我们心灵史的煎熬和挣扎历程,这是中国很独特的希望和毁灭交织的复杂经验。病毒学的概念既是病理学的也是社会学的,既是个人的也是社会的,每一代人都会遭遇到不同的困境,我试图呈现这些复杂的“病理学”报告。从我早期画的医用垃圾、霉烂图像、重钢,到世界之窗、纽约地铁站,再到网络偷拍图像。在我看来,它们之间是有 My work has always been concerned with the torment and struggles of our spiritual history behind China’s compressed myths of modernity. It is a complicated experience in which China has a unique combination of hope and destruction. The concept of virology is both pathological and sociological. It is both personal and social. Each generation experiences different difficulties. I try to present these complex “pathology” reports. From my earlier medical waste, rotten images, heavy steel, to the Window of the World, New York subway station, and then to the network candid images. In my opinion, there is between them