李白《明堂赋》《大猎赋》,杜甫“三大礼赋”及《封西岳赋》,均属光赞盛美之作。真正能表现李杜个人性情的是咏物自喻、写景抒怀之作。李白《大鹏赋》、杜甫《雕赋》,既完成了个体生命的宏观写照,也切合着国家形象的时代建构,并以其高远的境界与卓异的品质感染着历代读者。李杜赋作的体制风貌同而又异。“同”在:假赋试才以求仕进,以散驭骈以为新变。“异”在:李白与心徘徊,以文驭诗、化诗入赋,以至诗赋难分,由此可见赋体新进的承继与预告;杜甫随物宛转,刻意锤炼、化赋入诗,乃至以赋为诗,留给赋史的是超越传统的失败与警示。自李杜始诗取代赋而成为文坛主流。诗赋地位的消长主要由诗赋本身的体式特征所决定,也与外部环境有关。 Li Bai, “Ming Tang Fu,” “Hunting Fu”, Du Fu “three gifts and ” and “cover Xiyue Fu”, are praised Shengmei. Li Du really show personal temperament is the object of self-described poetry, writing scenery for the sake of. Li Bai’s “Dapeng Fu” and Du Fu’s “Carving and Fu” not only fulfilled the macroscopic portrayal of individual life, but also matched the construction of the national image of the times and infected the readers of all ages with its lofty realm and remarkable quality. Li Du Fu made the same style and unique. “In the ” In: Fake Fu test in order to Shijin, scattered control Yu 骈 that change. “Difference ” in: Li Bai and heart wandering, to poetry, poetry into poetry, and poetry Fufenfen, we can see the new succession and foregone endorsement; Du Fu with the object to change, deliberately temper, Fu Into the poem, and even to poetry, leaving Fu history is beyond the traditional failure and warning. Since Lidu Poems replaced Fu Fu became the mainstream of the literary world. The rise and decline of the status of poetry and fu is mainly determined by the body characteristics of poetry and fu, but also with the external environment.