张晓刚集评《大家庭》以一种“后波普”态度,用传统炭精画法处理中国当代族类历史的现成图像,为中国文化的当代历史提供了一种具有批判视野的阅读方式。这组作品以单纯直接、平静冷漠的形象和类型化的复制手法陈述了中国人的一种内心化的历史经验和身份,也呈现了作者对一家族性经验和身份的反省和领悟。 Zhang Xiaogang Commentary on the “Big Family” Attached to a “Post-Pop” Attitude, Using Ready-Made Images of the Contemporary Coker to Handle the History of Chinese Contemporary Races, provides a Reading with Critical Vision for the Contemporary History of Chinese Culture the way. This group of works presents an inward-looking historical experience and identity of Chinese people in a purely direct, calm and indifferent image and in a typed copying manner. It also presents the author’s reflection and comprehension of a familial experience and identity.