论文部分内容阅读
话剧《离婚了,别再来找我》,在话剧舞台不太景气的情况下,从去年10月在北京上演以来,引起了几个破纪录的轰动:一是颇受观众的欢迎,创下了十场收入20万元的纪录;二是本剧出现了一位27岁年轻的独立制作人谭路璐,《离》剧的上演,由她与中央实验话剧院合作制作;三是2月16日,由于主演江珊、史可的缺席,在海淀剧院临时宣告停演,造成观众的不满和退票,成为轰动京城的事件。这件事在演艺界和关心话剧事业的人士中,引起了一场不大不小的波澜。
The drama “Divorce, do not come to me again”, in the drama scene is not very good, since staged in Beijing in October last year, has caused several record-breaking sensation: First, the popular audience, setting a ten Field income of 200,000 yuan record; second is the play appeared a 27-year-old young independent producer Tan Lulu, “away from” drama staged by her and the experimental experimental theater; third is February 16, due to Starring Jiang Shan, the absence of Shi Ke, temporarily stopped at Haidian Theater, resulting in the audience’s dissatisfaction and refund, a sensational event in the capital. This incident caused a real stir among the entertainment industry and people concerned about the cause of drama.