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《涅槃》(Nirvana)是许舒亚受法国广播电台委约创作的一部大型管弦乐作品,2001年由巴黎国家交响乐团在巴黎广播电台梅西安音乐厅世界首演,2004年亦被荷兰阿姆斯特丹皇家音乐厅管弦乐团多次上演。之所以选择《涅槃》作为本论文的原始分析文本,不仅是因为这部作品在国际上的广泛影响力,更因为这部作品在当今新音乐的回归潮流中所体现的新创作思维及其技术现象非常值得关注,代表着新音乐在回归潮流中的一种创作思路和方向。因此本文以《涅槃》中四种旋律线条作为分析之主要内容,力求呈示出作品在发展过程中的手法及其核心观念,以说明在20世纪后半叶兴起的回归潮流中,传统大小调体系之旋律要素在当代新音乐中的运用与扩展。
Nirvana is a large-scale orchestral work commissioned by French radio station. In 2001, it was premiered by the Paris National Symphony Orchestra at the world premiere of the Messianic Music Hall at Paris Radio. In 2004, Nirvana was also voted by the Royal Concert Hall Amsterdam Orchestra staged several times. The reason why Nirvana was selected as the original analytical text of this thesis is not only because of the international influence of this work but also because of the new creative thinking and technique of this work embodied in the current trend of the return of new music today Phenomenon is very noteworthy, representing a creative thinking and direction of new music in the trend of regression. Therefore, the article takes the four kinds of melody lines in Nirvana as the main content of the analysis and tries hard to show the method and core concept of the work in the process of development, so as to illustrate that in the trend of regression that emerged in the second half of the 20th century, The Application and Expansion of Melody Elements in Contemporary New Music.