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真、善、美,是对盆景作品高度完善的一种极限追求。一、真盆景作品的真,主要指作品的内涵所揭示的应该是自然美中那些带有本质性的东西。诸如树木形态中所蕴含的那种磅礴向上的气势、朝气蓬勃的生命神韵,以及其在各种不良环境中搏击求存的精神气质等,而不是那些暂时的、零碎的、表面的,不具有任何典型性、普遍性、启示性的部份。也就是说,盆景作品的主题,应该是透过自然界纷杂迷离的表象,去探求其与人类的精神世界息息相通的那些深层的、实在的,而又是一般人所难以把握的那些内容,再通过取舍、集中、提高、夸张、渲染等艺
True, good and beautiful, is a highly perfect pursuit of the bonsai works. First, really bonsai works really, mainly refers to the connotation of the work revealed by the natural beauty of those with essential things. Such as the magnificent momentum of the tree form, the vibrant life charm, and its fighting temperament in various adverse environment, rather than those temporary, fragmented, superficial, not Have any typical, universal, inspirational part. That is to say, the theme of the bonsai’s works should be to find out those deep, real, and hard-to-grasp contents that are in common with the spiritual world of man through the appearance of confusing and blurred nature Through the choice, focus, improve, exaggeration, rendering and other arts