论文部分内容阅读
钱钟书先生的《管锥编》、《谈艺录》等学术著作,在博览精研中国古典文学之际,有不少关于书法的论述,其中涉及中国书法的源流嬗变,书法与文学的相互关系,书法创作与欣赏,政风时尚对书法的影响,以及书法家的评价,书法史和文学史融汇的某些细节的考辩。这篇札记是会心于“钱学”时的收获,其中亦不揣浅陋,直陈了某些不同于钱先生的看法。仅引求教于钱钟书先生及书法、文学两界识者。 一、王羲之《兰亭记序》是否将文学为余事,书体之“犯”与文体之“比”。
Mr. Qian Zhongshu’s “Cone Cone”, “Talking Record” and other academic works, at the Expo refined classical Chinese literature, there are many on calligraphy, including the evolution of Chinese calligraphy, calligraphy and literature Interrelationship, creation and appreciation of calligraphy, the influence of political style on calligraphy, and the examination of some details of calligrapher’s evaluation, calligraphy history and literature history. This reading is the heart of the “money learned” when the harvest, which also does not humble, frankly some different from Mr. Qian’s view. Only cited for teaching Mr. Qian Zhongshu and calligraphy, literary knowledge of the two worlds. First, Wang Xizhi “Orchid Pavilion Preface” whether the literature for the rest, book body “guilty” and style “ratio.”