七十年代末苏联涌现一批新的剧作家。他们并非同龄人,但由于踏入剧坛的时间相同,被人称为“年青的剧作家”。代表人物有:B·阿罗、彼特鲁什夫斯卡娅、A·卡赞采夫、A·加林、A·杜达列夫、H·巴甫洛娃、B·米列什科、C·卡科夫金……等。这些剧作家写作手法各异,创作个性不同,但却有较一致的美学观点。他们所写的剧本上演后受到苏联广大观众的欢迎,引起各方人士的注意。苏联评论界有人认为,他们的作品形成八十年代戏剧创作上的“新浪潮”,推动了苏联戏剧的发展,另一些人却持异议。1983年比较集中地对此现象进行了 A new batch of playwrights emerged in the Soviet Union in the late 1970s. They are not their peers, but they are called “young dramatists” because of the same time entering the theater. Representatives are: B Arrowo, Petrushfskaya, A. Kazantsev, A. Galin, A. Dudaevlev, H. Pavlova, B. Mljeszko , C · Kakov gold ... and so on. These dramatists have different ways of writing, different creative creations, but more consistent aesthetic perspectives. After their staged plays were welcomed by a large audience in the Soviet Union, they attracted the attention of all parties. Someone in the Soviet press commented that their work formed a “new wave” of dramatic writing in the 1980s, promoted the development of the Soviet drama, while others disagreed. This phenomenon was concentrated in 1983