作为中国20世纪90年代最活跃的雕塑家之一,朱成一直把自己称为公共艺术家,公共艺术在中国也称作城市雕塑、环境艺术。朱成在20世纪90年代中国城市公共艺术领域所获得的赞誉,主要在于两个方面:对雕塑和公共性历史文脉的延展;对现当代艺术形式的吸收。 昆明筇竹寺有一对联云:“两手把大地山河捏扁搓圆撒向空中毫无色相,一口将先天祖气咀来嚼去 As one of the most active sculptors in China in the 1990s, Zhu Cheng called himself a public artist, and public art in China is also called urban sculpture and environmental art. Zhu Cheng’s praise in the urban public art field in the 1990s in China mainly lies in two aspects: the extension of the historical context of sculpture and publicity; the absorption of the contemporary art form. Kunming Qiongzhu Temple has a pair of clouds: "hands to the earth knead round flat sprinkle round flat no color to the sky, a mouth to congenital anger to chew