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作为女性作家的典型代表,津岛佑子的小说一般都是从一些普通的生活场景入手,以母性的立场对现实世界进行描述,以此展现女性的独立和坚强。由于特殊的生活经环境和经历,她的很多小说里都有自己的生活印记。在小说《默市》中,这一特征尤为清晰。小说里面的人物形象和场景事件都有着自己独一无二的影子,并且在小说的字里行间都看似无意却目的鲜明地阐述了自己的女性观。由于在现实中的父爱缺失,小说中便以自己的期望对此进行了幻想性和理想化的补救。另外,小说中最鲜明的投射莫过于在现实中作者对母性的肯定和塑造,以及对男性世界十足的不信任。在这一点上,津岛佑子和其它女权主义作家截然不同。本文将以《默市》为例,来分析津岛佑子的女性心理,以及产生这种女性心理的因素和渊源。
As a typical representative of female writers, Yokozuna’s novels generally start from some ordinary life scenes and depict the real world from the mother’s point of view in order to show the independence and strongness of women. Because of the special life through the environment and experience, many of her novels have their own life mark. In the novel “silent city”, this feature is particularly clear. The characters and scene events in the novels all have their own unique shadow, and their seemingly unconscious intent between the lines in the novel is clearly stated. Due to the lack of paternal love in reality, the novel has fantasized and idealized remedies with his own expectations. In addition, the most striking projection in the novel is that in reality, the author’s affirmation and shaping of motherhood and the complete lack of trust in the male world. At this point, Tsujishima and other feminist writers are completely different. This article will take “silent city” as an example to analyze the female psychology of Yoko Takeshi and the factors and origins of such female psychology.