本期出刊正逢抗战胜利五十三周年,发表《残留》的剧本,有纪念的意思,但又不完全是,估计会有人批评这个剧本有多少多少缺点,譬如结构上的失当,譬如主人公当了解放军的俘虏这一重要经历的过于简约,譬如人物心理脉胳少了某些环节等等,但估计也不会有人否认它的确是独特的。从一群被国民党收编用来打内战的日本军人的视角来反思和反映一段历史,不仅是写作角度的变化,也是对写作对象领域的开拓。出于这样的考虑,我们发表这一尚有粗疏之处的剧本,意在唤起人们对艺术必须求新、出新、创新的重新注意。 This issue is due to coincide with the 53rd anniversary of the victory of the Anti-Japanese War. The publication of a “residual” script has a memorable meaning. However, it is not entirely true that some people criticize how many shortcomings the script has, such as structural malpractice, such as the protagonist When it is too simplistic to understand the important experience of the PLA prisoners, such as the lack of certain psychological links in the characters, it is estimated that no one will deny that it is indeed unique. Reflecting and reflecting on a period of history from the perspective of a group of Japanese soldiers incorporated by the Kuomintang to fight civil wars is not only a change in writing perspective but also a pioneering field for writing objects. Out of these considerations, we publish this plausible script, aiming to arouse people’s attention to the need for art to be new, new and innovative.