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《三个和尚》是一部取材于民间谚语的宗教题材美术片。影片不使用对白,而是依靠画面与配乐的完美结合塑造人物形象。非语义的民族风格和浓郁的旋律成为影片叙事抒情、推动剧情发展的主要手段。电影配乐的成功运用在一定程度上解放了音乐创造力,拓宽了美术片的表现力,为影片获得国内外多项大奖奠定了基础。本文通过对《三个和尚》电影配乐的音乐分析,来揭示其在电影中艺术表现的魅力。
The “Three Monks” is a piece of art based on religious themes drawn from folk proverbs. The film does not use the dialogue, but rely on the perfect combination of screen and soundtrack shaping character image. Non-semantic ethnic style and strong melody become the main means of film narrative lyric, to promote the development of the story. The successful use of soundtracks to a certain extent, the liberation of musical creativity, broaden the expressiveness of the art film for the film won a number of awards at home and abroad laid the foundation. This article reveals the charm of the artistic expression in the movie through the music analysis of “Three Monks” soundtracks.