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杨诘苍的艺术就是所有绝妙的混淆:恐怖和死亡跟希望和色情,抵抗和咒骂跟赞扬和希冀。拿着锄头却两手空空,骑着水牛却用两脚行走。人在桥上走过,桥下的水静止,桥却在流走——在古代中国就存在这种与表象彻底相反的思维方式,令人惊讶~1。这让我联想到一个时髦的词:CRITICALITY。在中文中,这个字通常泽为“
The art of Yang T’ang is all fantastic confusion: horror and death with hope and eroticism, resistance and cursing and praise and hope. Holding a hoe but hands empty, riding a buffalo is walking with both feet. People walk on the bridge, the water under the bridge is still, but the bridge is flowing - in ancient China, there is such a completely opposite way of thinking, which is surprising ~ 1. This reminds me of a fashionable word: CRITICALITY. In Chinese, this word is usually translated as ”