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康德在《纯粹理性批判》中提出,图型作为想象力的产物而存在,针对这一提法的论证,笔者认为可以追随康德的思路进行梳理。首先从想象力的自发性和显象的亲和性两方面谈想象力的先天综合能力,从而推论出想象力具有联结感性和知性的实质特征,进而得出想象力所产生的表象(图型)必然也具有这一实质特征。接着,从时间协同图型成为想象力的产物这一角度,对图型是感性和知性的联结(想象力)所产生的表象进行论证。最后,对时间、图型和范畴三者的紧密结合并运用于一切综合原理进行简要阐明,最终得出“图型自身在任何时候都是想象力的产物”[1]这一结论。
In Kant’s “Critique of Pure Reason”, Kant put forward that pictorial exists as the product of imagination. In view of the argument of this argument, I think it can follow Kant’s thinking. First of all, from the spontaneity of imagination and the apparent affinity of imagination, the innate comprehensive ability to deduce that the imagination has the essential characteristics of the connection of sensibility and intellectuality, and then come to the appearance of imagination (Figure ) Must also have this essential feature. Then, from the perspective of the time synergy of pictorial representation as a product of imagination, the appearance that the pictorial is the conjunction (imagination) of sensibility and intellectuality is demonstrated. Finally, the close combination of the three types of time, pattern and category, and the application of the principle of synthesis to a brief explanation finally lead to the conclusion that “the graph itself is the product of imagination at any time.”