在经历了近三十年学书历程之后,我发现,一件好的书法作品,往往是在良好创作水平上的妙手偶得。黄庭坚论书云:“不择笔墨,遇纸则书,纸尽则已,亦不计较工拙与人之品藻讥弹。”这样的论述,实在是太有道理。如果太在意作品的好坏,反而会雕琢过分,失去作品的天然之美。我在准备国展作品时,采取的是随意创作然后再进行优选的方式。我通常都是先找感觉再抓 After nearly three decades of studying history, I found that a good calligraphy is often a good hand at a good level of creativity. Huang Ting-jian’s comments on the book: “There is too much reason to refuse to write a pen, to meet the needs of paper, to do all the paperwork, and to not consider the barking of workers and people alike.” If you are too concerned about the quality of the work, but will carve excessive, lost the natural beauty of the work. When I was preparing the works for the national exhibition, I took the liberty to create and then conduct the preferred method. I usually find the feeling first