在第四届安徽省艺术节上,淮南市京剧团演出了新编古装故事剧《豆腐女》,剧中有位既不愿为官又想为官一任,造福一方,既小心谨慎又放荡不羁的县令.团领导经过慎重考虑,决定让我这个大花脸演员去演小花脸.俗话说“隔行如隔山”,演这样一个角色,对我来说是一个新课题.一个好演员应该可以胜任各种角色,有较宽的戏路.在排演过程中,我首先从分析剧本入手.通过分析剧本,加深了对人物的理解,使本人在内心中一步步接近人物,从而消除行当间的距离.其次,我还注重从生活中吸取营养,把同类的人物复合到一起,从而设计出他的外部动作和造型.为了不使所演人物表面化,我在唱腔方面找到了生腔丑唱的路子,从而避免了戏曲舞台上习见的用行当套人物使人物类型化的毛病 人物以个性.在念白上,我将大白小白相揉合,讲究字的韵律,节 At the 4th Anhui Province Arts Festival, Huai’nan Peking Opera Troupe performed a newly compiled costume drama “Tofu Girl”. In the drama, there was a party who neither wanted to serve as an official but wanted to serve as an official and benefited one while being cautious and indulgent County magistrate. The regiment leadership after careful consideration, I decided to let this big face actress to play a friable face. As the saying goes, “interlacing such as mountains,” playing such a role, for me is a new topic .A good actor should be able to perform a variety of In the process of rehearsal, I start with the analysis of the script.Through the analysis of the script, deepen the understanding of the characters, so that I step by step close to the people in the heart, so as to eliminate the distance between the lines.Secondly, I also focus on drawing nourishment from my life and putting together people of the same kind to design his external movements and shapes.In order not to surfaceize the characters, I find the way to sing in the singing room, so as to avoid In the drama stage, I saw the idioms of personalities that typify the use of characters in the drama stage. In my opinion, I will combine the white and the white, pay attention to the rhythm of the word, the festival