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“中西融合”是中国油画的民族化风格探索的开端和起点。从20世纪初到今天这一百多年的油画民族化进程中,“中西融合”从民族精神的自觉到自信、从民族文化的融合到绘画形式的创新,逐渐向民族精神表达的深度延伸,已成为中国油画发展的重要方向。本文通过对“中西融合”民族化风格油画探索中重要代表性艺术家的艺术经历、艺术观念和绘画语言风格进行简要的评述,旨在对构建中国油画的语言体系和全球境域中的中国油画的范式提供一个承续和借鉴的线索。
“Integration of Western and Eastern ” is the beginning and starting point of the exploration of national style of Chinese oil painting. From the early twentieth century to today’s one hundred years of nationalization of oil painting, the integration of Chinese and Western cultures from the consciousness of the national spirit to self-confidence, from the integration of national culture to the innovation in the form of painting, and to the depth of expression to the national spirit Extension has become an important direction for the development of Chinese oil painting. This article gives a brief review of the artistic experiences, artistic concepts and drawing language styles of important representative artists in the exploration of “Chinese-Western fusion” ethnic-style oil paintings. The purpose of this article is to provide a brief introduction to the language system of Chinese oil painting and the Chinese oil painting in the global context Paradigm to provide a clues to continue and learn from.