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和声学,作为多声音乐作曲技法之一,起源、成熟于西方,中国和声自清初康熙年间传入算起,至今也有百年的历史了。然而,如何使和声这一外来形式更贴切地反映和符合中国人的表达方式、欣赏习惯和审美心理,始终是中国作曲家创作时所面临的问题、所追求的目标。可以这样说,中国专业音乐创作中和声运用的历史,也是一条不断探索和声民族风格的历史。笔者试图阐明中国和声的定义,梳理一下中国和声发展的这段历史,希望能够从中有所收获。
And acoustics, as one of the multi-voice music composition techniques, originated and matured in the West. Since the harmony of Chinese was introduced into the Kangxi Period in the early Qing Dynasty, it has a hundred years of history. However, how to make the foreign form of harmony more appropriate to reflect and conform to the Chinese expression, appreciation of customs and aesthetic psychology has always been the problem and goal pursued by the Chinese composers. It can be said that the history of harmonic use in Chinese professional music creation is also a history of continuous exploration of harmonic national style. The author attempts to clarify the definition of harmony in China and sort out the history of the development of harmony in China, hoping it can be harvested from it.