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一、概论 (一)《十六板》音乐的产生背景 《十六板》是《弦索十三套》中的一套。《弦索十三套》是古代流传于民间的器乐合奏曲。在十九世纪初期清代蒙族文人荣斋将这“十三套”编进了他的《弦索备考》(一八一四年抄本)中。他曾在序言中称这些曲调为“今之古曲”;并说,在他编书之前没有乐谱,完全是靠老师当面传授指法学成,(“所授指法,并无谱册”);他向赫公学习了琵琶、三弦与胡琴演奏法,待从福公又学得筝的演奏法之后,才编成了《弦索备考》。从这些情况
I. Introduction (a) “Sixteen Board” Music Background “Sixteen Board” is “a set of chord thirteen sets.” “Chord thirteen sets” is an ancient instrumental ensemble that spread to the folk. In the early nineteenth century, the Mongolian literati Rongzhai compiled this “thirteen sets” into his “Chord Supremacy” (1814 transcript). In the preface, he described these songs as “the ancient music of today”; he said that there was no sheet music before his book compilation, and that the teaching of the fingering was done entirely by the teacher (“no fingerprinting”); He studied the pipa, sanxian and huqin playing method to the HH Kung, until after the blessing of the kung fu and zheng playing method, was compiled into a “string for test.” From these situations