我多次看过《梁山伯与祝英台》,对志比天高、聪慧秀丽的祝英台甚为醉心。当我第一次接受扮演祝英台时,心里十分兴奋,对我来说,幸福莫过于运用小生、花旦行当演绎心仪已久的角色。也许我对角色过分热爱,每次演出后,我都反复挑剔、审视,不满足于没有“食饱”、没有走错位,便算完成任务,通过实践,我悟出“熟戏要三分生”的道理,由于我熟戏熟演,没有赋予角色多色彩、多侧面,演绎出来自己也觉得平淡无奇。艺术贵在独到、含蓄,讲究 I have read “Liang Shanbo and Zhu Yingtai many times” and I am very obsessed with Chi Ying-tai, who is ambitious and intelligent. When I first accepted Zhu Yingtai, my heart was very excited. For me, happiness is better than using niche and playing a decisive role. Maybe I’m overly devoted to the character, after each performance, I repeatedly picky, look, not satisfied with no “food”, without dislocation, will be considered to complete the task, through practice, I realized Thirds of birth "truth, because I am familiar with the opera, did not give the role of multi-color, multi-faceted, deduced themselves feel bland. Art is unique, subtle, stress