超轻彩泥教学在国内外的美术教学中都已经被广泛应用,其中最早的发展最成熟的是韩国和日本,这两个国家有非常专业的彩泥书籍,不同题材的彩泥有不同的有专门的配料和工具。我国的超轻彩泥的教学课程就是近五年来从日韩引进的,但是我国的超轻彩泥的教学发展存在一定的问题,有新材料的特点和优势没有被完全激发,作品往往缺乏创新,而其最主要的原因在于缺少深入的研究和挖掘超轻彩泥的特质,用它制作作品的方法和步骤与传统橡皮泥的大同小异。而本 Ultra-light color clay teaching has been widely used in the art teaching both at home and abroad. The earliest development is the most mature in Korea and Japan. Both countries have very professional colored clay books. Different subjects have different color clay There are specialized ingredients and tools. The curriculum of our country’s ultra-light colored clay was introduced from Japan and South Korea in the past five years. However, there are some problems in the teaching and development of the ultra-light colored clay in our country. The characteristics and advantages of the new materials are not completely stimulated and the works often lack innovation , But the main reason for this is the lack of in-depth research and the exploration of the characteristics of ultra-light color clay. The methods and procedures for making the work are similar to those of traditional plasticine. And this