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陈鸿寿的艺术,公认为“曼生壶”最好,隶书最具个性,两者合一,天造之作。现在,我们不妨将陈鸿寿隶书构成与“曼生壶”的造型进行相互对比,不难发现曼生壶精湛的平面设计、独特的艺术造型与其隶书的创作风格特征相互契合:形式上的近似,意象上的浑同,显现了陈鸿寿书法、壶艺两种艺术追求上的意趣合一,殊途同归。似乎他对这种扁梯形式情有独钟,这种在潜意识上的契合,也许是古今中外唯一的一例。这是一种偶然现象,还是陈鸿寿美学思想、创作心理共同作用导致的
Chen Hongshou’s art, recognized as “Man Sang pot ” the best, the most personalized official script, a combination of both, made for days. Now, we may wish to compare the composition of Chen Hongshu’s script with that of the “Man Shenghu”, it is not difficult to find out the exquisite graphic design of Man Shenghu. The unique artistic style and the writing style of his official script are in conformity with each other: the formal approximation , The image of the same, showing Chen Hongshou calligraphy, pot art two artistic pursuit of the unity of interest, the same thing. It seems that he has a soft spot for this flat ladder form. This subconscious fit may be the only example both at home and abroad. This is an accidental phenomenon, or Chen Hongshou’s aesthetic thought, creative psychology caused by the combined effect