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一、如果说,以“一桌二椅”等程式化的样式为代表的传统戏曲舞台,更多的是以“非物质化”的手段营造戏剧意境,那么,毋庸置疑,相对于传统戏曲,现代戏曲、话剧舞台则不同程度地流露出一些“物质”的倾向,这是时代使然。有的舞美设计,物质手段用法较单一、陈旧、老套,其功能侧重于再现性地交待地点、营造环境或规定情境,提供表演支点,帮助演员完成戏剧动作,总体往往缺乏“写意性”;而有的舞美
First, if we say that the traditional drama stage represented by the stylized pattern such as “one table and two chairs” and more is based on the “non-materialized” means to create a dramatic mood, then there is no doubt that relative In traditional opera, modern drama and drama stage, to some extent, some “material” tendencies are revealed, which is the result of the times. Some dance design, the use of material means more single, outdated, stereotypes, its function focuses on the reproducibility to explain the location to create the environment or the provisions of the situation, to provide performance fulcrum, to help the actors to complete theatrical moves, the overall lack of “freehand ”And some dance beauty