在《同一个月亮》中,成千上万的农民工卷起铺盖卷,带着憧憬涌向城市,在林立的高楼,繁华的城市街道,五光十色的霓虹灯下,他们真诚、憧憬、欲望、挣扎、冲突、纠缠、迷茫。而面对偌大一个城市,我也有些心思不定,于是经常独自漫步于长沙街头,在霓虹灯下四处徘徊,寻找创作的灵感。当奋力拨开霓虹灯下城市中蕴藏的实际内涵,我发现有一种精神在活跃着,一种不断张扬的精神正在蕴藏的地方冉冉升起。倘若《同一个月亮》的舞台企图创造一个与生活接近的环境,那么,舞台上就应该是高楼大厦,霓虹闪烁,热闹非凡的场景,而这都不是我所需要的。况且,这也并非戏剧艺术之所长。前苏联导演E·吉甘曾认为:观众在银幕上可以看到真正的海,可以看到地球上任何一个角度的任何空间,可以看到人们的活动,而所有这一切与戏剧比较起来,要更加符合实际生活。如果人们 In the “same moon”, tens of thousands of migrant workers rolled up their covers and looked forward to the city with their sincere, longing, desire, struggles and bright colors in the high rise buildings, the bustling city streets and colorful neon lights. Conflict, entanglement, confusion. In the face of a big city, I also have some uncertainty, so often alone walking in the streets of Changsha, wandering around in the neon lights, looking for creative inspiration. As I struggled to divert the real meaning of the city under the neon lights, I found that there was a spirit that was active and that a spirit of constant publicity was slowly rising. If the stage of “One Moon” attempts to create an environment that is close to life, the stage should be a tall building, a neon flash, a lively scene, which is not what I need. Moreover, this is not the director of theatrical arts. Former Soviet director E Ji-geng once thought: viewers can see the real sea on the screen, and can see any space on any part of the globe, and people’s activities can be seen. All these are compared with drama More in line with real life. If people