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第二次世界大战结束至50年代末,是时装摄影发展历史中的一个重要时期。以理查德·阿维顿、诺曼·帕金森为代表的一批摄影家,将时装摄影从室内引向户外,从展示服装本身到展示社会风景。他们所倡导的纪实风格为现代时装摄影的发展开拓了广阔的空间。这一时期在时装史上又是高级时装的巅峰期,纵情享乐的意识形态使得时装摄影作品沉溺于画意的现实当中,呈现出一种怀旧、异域的浪漫主义情怀。
The end of the second world war to the late fifties, fashion photography is an important period in the history of development. A group of photographers, represented by Richard Avedon and Norman Parkinson, lead fashion photography from the interior to the outdoors, from displaying the clothing itself to displaying the social landscape. The documentary style they advocated opened up a vast space for the development of modern fashion photography. During this period in the fashion history is the peak of high fashion, indulgence of ideology makes fashion photography addicted to the reality of the painting, showing a nostalgic, exotic romanticism.