多元化在后现代艺术中是一个被滥用得不能再烂的词,它是机会主义艺术诡辩时最后的挡箭牌。多元化是相对性的,“五岳”之间,是高峰峻岭的多元化,有相似中的差异性。后院的土堆不能与之相提并论多元化。自己幼儿时期的作品,不能相对于自己现在的作品讨论多元化,都是一个人生命的延伸,有同样的DNA印痕。多元化是个小疾,但传染起来也会让人高烧脑热。此病毒可能屏蔽人的艺术判断力,技术因素的,日常情景因素的,材料因素的“新媒体”艺 Diversification is a word that can not be abused in postmodern art. It is the last shield in the art sophistication of opportunism. Diversification is relative, between the “Five Sacred Mountains” is the diversity of peak mountains, there are similar differences. Backyard mound can not be compared with the diversity. My childhood works, can not be compared to their current work to discuss diversity, are an extension of one’s life, have the same DNA imprints. Diversification is a small disease, but contagion can also make people feverish. This virus may shield people’s artistic judgment, technical factors, everyday situation factors, material factors of “new media ” art