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景致与境界是水旱树石盆景表现追求的两个方向,好的作品既需要刻画出优美怡人的自然景致,又必须营造出隽永深厚的艺术境界。景是实的,有形有貌,树呈千般秀,石显万种奇;境是虚的,无迹无象,巧在意会时,妙于神思间。唯有实景和虚境两者交融,浑然一体,才能使盆景作品产生蕴于象内而生于意外的表现力和感染力。本期封面选用了武汉光谷园艺有限公司邵火生先生的树石盆景作品《平湖秋色》,荐于读者朋友,共读景境之妙。
The landscape and the realm are the two directions pursued by the bonsai in the water and the dusk. Good works not only need to depict beautiful and pleasant natural scenery, but also have to create a profound artistic realm. King is real, tangible appearance, the tree was a thousand shows, the stone was a million kinds of odd; Habitat is empty, no trace no coincidence, coincides with the will, wonderful in the deities. Only the real and fictitious blend of the two, seamless, in order to make the bonsai works in Yunxiang inside was born in the unexpected expression and appeal. The cover of this issue is the selection of “Garden Autumn Autumn Coloring Book” by Mr. Shao Huosheng from Wuhan Optical Valley Horticulture Co., Ltd., which is recommended to readers and reading altogether.