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谢灵运的山水诗以求悟玄理为审美指归,其山水形象多客观性,缺乏完美的意境;谢朓则超越了单纯的悟道,追求人情美与自然美的契合,其山水形象主观情意较浓,重视意境的创造,以审美创造为指归。由此可见南朝文学批评意识从逐步淡化社会功能到追求美学价值的轨迹。
Xie Ling’s transcendental enlightenment surpassed pure enlightenment and pursued the connection between beauty and natural beauty. The subjective affection of landscape image is thick, Emphasis on the creation of artistic conception, with aesthetic creation as the guide. This shows that the awareness of literary criticism in the Southern Dynasties gradually desalinated from the social function to pursue the track of aesthetic value.