自2007年以来,我的人物画作品主要是以惠安女为题材。惠安女子勤劳、坚韧、勇敢的品质以及乐观向上的精神,在引起共鸣的同时,也激发了我极大的创作热情。所以,在构思《闽海安澜千秋颂》时,我仍然立足于惠安女题材,到生活中去采风体验。闽南历来是富庶商业之地,在现代化文明进程中,惠安女的心中不免还有担忧愁虑,但她们一直默默地隐忍着生活的苦涩,“天生不爱倾诉苦难,并非苦难已经永远绝迹……以古老的银饰,约束着柔软的腰肢”(舒婷诗《惠安女子》)。惠安女子以 Since 2007, my portraits have been mainly based on women in Huian. The industrious, tenacious, brave, and optimistic spirit of the women in Hoi An also stimulated my great enthusiasm for writing while resonating. Therefore, in the conception of “Minhai Anlan Chiaki Song”, I still based on the theme of Huian female, go to collect experience in life. South Fujian has always been rich commercial place, in the process of modernization, the hearts of women in Hui’an inevitably there are worries worry, but they have quietly endured the bitterness of life, “born do not love to talk about misery, not suffering has been forever extinct ... ... Old silverware, restraining the soft waist ”(Shu Ting poem“ Hui An woman ”). Huian woman