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庞德对诗歌的伟大贡献是他对意象主义的倡导和实践。透过庞德对意象的描述,我们发现他提出了一种模糊认知方式的诗学主张:那就是主客的含混性存在。他的“直接处理‘事物’”显示了主体意识祛中心化的诗学观,是对意义、理念、本质等这些以否定具体事物为鹄的的否定思维模式的扬弃。结合现象学哲学家梅洛-庞蒂的思想,从“意义在境域之中生成”、“非主题化的世界与非主体化的诗学”、“意义、语言和物的统一”、“理性与世界交织共舞”以及“一种存在—历史—世界的诗学”等五个方面可以进一步揭示庞德诗学的意义。
Pound’s great contribution to poetry is his advocacy and practice of imagery. Through Pound’s description of images, we find that he proposed a poetic proposition of fuzzy cognitive style: that is, the ambivalent existence of subject and object. His “directly dealing with things ” shows the poetics of disenchanizing the subject consciousness, which is a rejection of the negative thinking mode of meaning, philosophy, essence and the like that negate specific things. Combining the thought of the phenomenological philosopher Merleau-Ponty, from “the meaning is generated in the realm of territory”, “unwritten theme of the world and non-subjectification”, “meaning, language and object Unity ”,“ Interweaving Dances with Reason ”and“ Existence - History - Poetics of the World ”and other five aspects can further reveal the meaning of Pound’s poetics.