《笔阵图》是中国古代书法理论史上的重要书论,虽然其作者有卫夫人、王羲之及六朝人伪托等多种说法,但并没有影响其学术价值。《笔阵图》中有“善鉴者不写,善写者不鉴”之论,由于解读方面的原因,其在书坛上一直起着较大的负面作用,引起了人们对此论正确与否的怀疑和争论,至今成为一段公案。因为此论涉及到书法的“写”与“鉴”的重大关系,所以我们有必要对其进行深入地探讨研究,还其本来含义,排除消极因素,才能有利于书法的健康发展。 “Pen and Brush” is an important scholarly theory in the history of ancient Chinese calligraphy theory. Although its author is Mrs. Wei, Wang Xizhi and the Six Dynasties, it does not affect its academic value. In the “Pen and Drawings”, there are “good writers who do not write, good writers who do not appreciate” theory, which has always played a larger negative role in the book industry due to its interpretation. The doubts and controversies about right or wrong have so far become a public case. Because this theory involves the great relationship between calligraphy “writing ” and “jian ”, we need to study and study it in depth, and its original meaning and excluding the negative factors can be conducive to the healthy development of calligraphy .