王船山将文学的《诗》学研究思想和方法引入诗歌批评中,在诗话中以《诗》论诗,把《诗》作为诗歌创作的典范,对诗歌发生的目的论、过程论、情感论等方面进行了阐释,从《诗经》中引申出诗歌创作的一般规律,成为清代诗歌批评史上经学与文学互动的典型代表。研究王船山诗话与《诗》学之间互动的关系,了解其诗话对宋明《诗》学的继承和批判思想,不但可以全面地探究王夫之的诗学思想,更可以进一步了解中国诗学史的发展轨迹。 Wang Chuanshan introduced the research ideas and methods of “poetry” in literature into the criticism of poetry. He took “poetry” as his poetry and poetry as the model of poetry creation. His theory of teleology, process and emotion And other aspects of the interpretation of the “Book of Songs” to extend the general law of poetry writing, become the Qing Dynasty poetry criticism in the history of classics and literature typical interaction. Studying the interactive relationship between Wang Chuanshan’s poetic poetry and the study of “poetry”, and understanding the inheritance and criticism of his poetry to Song and Ming “poetry” can not only probe into Wang Fuzhi’s poetic thinking comprehensively, but also understand the history of Chinese poetics The development track.