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作为中央美术学院书法系本科的外聘教授,学院给我安排了两门课:一、书论导读;二、临摹与创作。于是我据此确定了讲课内容。在一个月内,我完成了两门课的教学内容,以下为我上课的内容和关于课程安排的思考。作为非职业的书法教育工作者,我现在所谈的,也许可以称之为门外闲聊,仅供参考而已。一、书论导读:从创作到审美的核心命题中央美术学院由王镛教授主编了一本《中国书法简史》,2004年由高等教育出版社出版,这作为学科教育
As a professor of calligraphy at the Central Academy of Fine Arts undergraduate external professor, the college arranged for me two courses: First, the book reviews; Second, copy and creation. So I determined the lectures accordingly. In a month, I completed the teaching content of two courses, the following is my class content and thinking about the curriculum. As an amateur calligraphy educator, what I am talking about now may be called gossip for reference purposes only. I. Introduction to Book Theory: The Core Proposition from Creation to Aesthetic Central Academy of Fine Arts edited a book entitled “A Brief History of Chinese Calligraphy” by Professor Wang Ying and was published by Higher Education Press in 2004 as a discipline education