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目前文学理论的热点转向了文学思维,这是有道理的。倘若批评家永远不能够理解作家的思维方式,那么他也将永远处于无可挽救的附庸地位,反过来说,作家又何尝能够意识到创作思维的全部特征呢?特别是当他囿于一得之见的时候。 文学的符号思维不仅是有逻辑的思维,而且是有着多种逻辑的思维,它们适应于创造的不同过程或不同侧面。此一意义上,文学的泛逻辑思维既包括一般普通逻辑思维,也可以包括其它各类具有逻辑性的思维,它们的共同特点是超越了逻辑思维的严格规范,在普通逻辑之外建立起思维逻辑的多种渠道。现在我们将议论其中的一种渠道。
At present, the hot spot in literary theory turns to literary thinking, which makes sense. If critics can never understand the writer’s way of thinking, then he will always be in the status of an irrevocable vassal. Conversely, how can writers realize all the characteristics of creative thinking? Especially when he is at a loss When you see it. The symbolic thinking of literature is not only logical thinking, but also has a variety of logical thinking, they adapt to different processes or different aspects of creation. In this sense, the general logic of literature includes both general logic and other kinds of logical thinking. Their common feature is that they transcend the strict norms of logical thinking and establish thinking beyond common logic Multiple channels of logic. Now we will talk about one of these channels.