自上个世纪80年代以来,传统中国画的现代转型是一个众说纷纭、见仁见智的热门话题。由于中国画是一个由特定媒介、特定语言形式和特定艺术趣味等多重因素相互连锁的复合性画种,故而对于这种转型的必要性和切入点有着不同的认识。而以下两个原因,更使得这种不同的认识呈现出前所未有的复杂性和多样性。这两个原因是其一“全球化”的背景, Since the 1980s, the modern transformation of traditional Chinese painting has been a hot topic with a wide range of opinions and different opinions. As Chinese painting is a complex painting which is interlinked by multiple factors such as specific media, specific language forms and specific artistic tastes, it is necessary to have a different understanding of the necessity and starting point of this transformation. The following two reasons, but also makes this different understanding presents an unprecedented complexity and diversity. These two reasons are the background to one of “globalization”