京剧《金锁记》一如张爱玲小说,表现了女性压抑、隐忍、扭曲、终于变态而接近疯狂的一生。但戏曲不等于小说,如何将文字中的图像意念,变化为舞台的立体动作,则有赖编剧的慧心巧思。本文不提来自原著语言产生的机锋,也不提 Peking Opera “Golden Lock” as Eileen Chang’s novel, the performance of female depression, forbear, distorted, and finally metamorphosis and nearly crazy life. However, the drama is not equal to the novel. How to change the image idea in the text into the stereoscopic action on the stage depends on the writer’s wisdom and ingenuity. This article does not mention from the original language machine front, nor mention