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上个世纪末,胡河清博士曾预言:“20世纪不过是中国文学对于西方文化带来的大冲击的初步回应阶段;而进入21世纪以后,中国文学将在弘通西方文化的精要的基础上复归本宗,开创真正具有独创性的文学流派。甚至有可能形成在世界文学之林中居于领导地位的文学流派,就像本世纪拉丁美洲出了魔幻现实主义流派一样。”1时间已经过去二十年了,果然如胡博士所料,当下中国文坛的“本土化”倾向已然蔚为大观,莫言等作家还获得了世界声誉。在此方面,山东作
At the end of the last century, Dr. Hu Heqing had predicted: “The 20th century was only the initial stage of response to the great impact brought by Chinese literature on Western culture. After entering the 21st century, Chinese literature will be based on the essence of Westercraft Return to the original case to create a truly original literary genre, and may even form a literary genre that holds the leading position in the world of literary world, just as this century saw the emergence of magical realist genres in Latin America. ”1 The time has passed For twenty years, as expected by Dr. Hu, the “localization” tendency of the contemporary Chinese literary world is already becoming spectacular. Mo Yan and other writers also gained a world reputation. In this regard, Shandong made