唐代诗人王维云:“诗中有画,画中有诗。”王维是诗人,他的山水诗,确实如他所说“诗中有画”。他又是一位大画家,在他的画中,确实达到“画中有诗”的境界。但是,在唐代,王维和其他画家也一样,并没有把诗题在画中。宋代苏东坡提出了“书画同源”之说,把书法与绘画融为一体。苏东坡画竹,以楷书写竹 Wang Weiyun, a poet in the Tang Dynasty, wrote: “There is a painting in the poem and there is a poem in the painting.” “Wang Wei is a poet and his poetic landscape does indeed, as he said,” there is a painting in the poem. “ He is another great painter. In his paintings, he really achieved the poem ”“ in the painting. However, in the Tang Dynasty, like other artists, Wang Wei did not put the poem in the painting. Song Supo proposed ”calligraphy and painting homology " theory, the calligraphy and painting integration. Su Dong-painted bamboo, written in regular script bamboo