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本文将研究视野拓展到了生态批评领域,对美国浪漫主义作家、现代主义作家以及后现代主义作家的文学经典和创作实践进行了研读和梳理,并没有沿袭惯常的编年史或形式谱系的组织方法,而是从生态批评的高度,从异彩纷呈、形式各异的美国文学作品中,梳理为“野趣横生”的生态意识、“寄情山野”的生态忧患和“天人合一”的生态格局三条脉络,加以厘析诠衡。生态批评视域下重读文学经典,在色彩斑驳的荒野意象中,试图描述出美国文学版图上的生态启示,同时也希望能为当代文学创作提供一些力所能及的启示。
This paper expands the field of vision to the field of ecological criticism, studies and sorts out the literary classics and creative practices of American romantic writers, modernist writers and postmodern writers, and does not follow the usual methods of organizing chronological or formal pedigrees. But from the height of ecocriticism, from the colorful and varied forms of American literary works, it is sorted out as an ecological awareness of “wildness”, ecological woes and “harmony between man and nature” Ecological pattern of three contexts, to be interpreted Quan. In the context of ecocriticism, he rereads the literary classics and attempts to describe the ecological enlightenment on the American literature in the colorful mottled wilderness images. At the same time, he hopes he can provide some inspiration to the contemporary literary creation.