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在抗战胜利后“重建”中国文学的多种路向中,原京派成员的重新聚合并延续、发展了其京派主张的文学实践,反映了战后中国文学最重要的一种走向。战后的“京派”倡导了中国现代文学史上旗帜最鲜明、立场最充分的自由主义文学观。由此出发,他们全面展开了战后中国文学的“重建”。“京派”文学在左翼文学批判中的终结过程,构成战后中国文学转型的重要内容,为此我们对京派的历史考察不能局限于30年代,而要打通战前、战后深入揭示京派及其传统在跨越1949年的中国文学现代转型中的作用、地位和价值。
After the victory of the War of Resistance Against Japan and the various ways of “rebuilding” Chinese literature, the former members of the Beijing School reassembled and continued to develop their literary practices advocated by the Beijing School, reflecting the most important trend in post-war Chinese literature. Post-war “Beijing School” advocated the most distinctive and most liberal liberal literature view in the history of modern Chinese literature. Starting from this, they fully launched the “reconstruction” of post-war Chinese literature. “Beijing School ” literature in the left-wing literary criticism of the process of the end of the post-war Chinese literature constitutes an important part of the transformation of the history of our school of thought can not be limited to the 1930s, and get through the pre-war and post-war in-depth reveals Beijing School And its role, status and value in the modern transformation of Chinese literature across 1949.