中国画的创新一直是美术界关心的问题,我认为当前的关键,不是要不要创新的问题,而是如何理解“创新”。创新有两种含义:一是不断更新变化,二是要求新而美。如果创新仅仅是标奇立异,这样的“新”便流于怪诞,虽新而不美,因此新和美不能划等号。中国画也不能为创新而创新,要为适应社会的更高审美需要出新。中国画的创新是形式问题,更重要的是内容问题,有些中国画作品虽然采用了传统的形式,但表现了新的题材、新的生活内容,不能说不是创新。有些中国画作品即使采用了传统 The innovation of Chinese painting has always been the concern of the fine arts circle. I think the crux of the matter now is not whether to ask questions of innovation but how to understand “innovation.” There are two meanings of innovation: First, constantly updated changes, and second, requires new and beautiful. If innovation is merely unconventional, such “new” flows through grotesqueness, new but not beautiful, so newness and beauty can not be equated. Chinese painting can not be innovative and innovative, but also to adapt to the higher aesthetic needs of society. The innovation of Chinese painting is a matter of form, more importantly, of content. Although some traditional Chinese paintings take the traditional form, they show new themes and contents of new life and can not be said to be not innovations. Some Chinese paintings even use the tradition