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‘剧本’月刊六月号发表了两个反映伟大的抗美援朝斗争的话剧剧本:一个是胡可写的五幕话剧‘战线南移’;一个是杜烽写的独幕三场话剧‘前沿阵地’,前一剧本在‘解放军文艺’六月号上并同时发表。‘战线南移’是描写在朝鲜战场上第五次战役以后中国人民志愿军为反击某一军事据点而展开的对敌斗争的故事。剧本在描写对敌斗争的同时,也描写了在志愿军内部先进的与保守的思想冲突。作者在这个剧本里刻划了一批新的、有着高贵的品质和军事素养的指挥员和战斗员的可爱的形象,他们不但在艰难困苦的环境中,沉着坚毅地战胜了拥有现代装备的以美帝国主义为首的侵略军,而且以自已的行动教育和批判了那些目光短小,不肯学习的经验主义者和落后人物。
In the June issue of the ’Script’ magazine, two drama scripts that reflect the great struggle against the United States and the Aid Korea have been published: one is Hu’s five dramas’ ’Southward Front Mobilization’; the other is Du Feng’s three-line drama ’Frontier Position’ The previous script was published on the June issue of People’s Liberation Army Literature and Art. ’The south of the front’ is a story describing the struggle against the enemy launched by the Chinese People’s Volunteers Army against a certain military stronghold after the fifth battle on the Korean battlefield. While describing the struggle against the enemy, the script also depicts the advanced and conservative ideological conflicts within the volunteer forces. In this script, the author delineates a group of cute, commanding officers and combatants with noble qualities and military qualities. They not only persistently and decisively overcome the difficulties of having modern equipment US aggression forces headed by the U.S. imperialists have educated and criticized empiricists and backward people who have short-sighted and unwilling to learn.