茅盾是集社会活动家、学者、作家三重角色于一身的现代著名作家。作为社会活动家和学者的茅盾 ,其思维特点投射在他后起的作家身份的艺术思维里 ,导致他的艺术思维中先在地存在着社会思维和理论思维的有力渗透。这种复合思维在他短篇小说创作中表现为 :倾向于写重大题材 ,追求情节的深度广度 ,采用全知视角及由其转向人物有限视角的叙述方法。他的创作思维的异质性复合形成了“短篇不短”的悖逆型文体特点 Mao Dun is a modern well-known writer who integrates social activists, scholars and writers in three roles. Mao Dun, a social activist and scholar, projects his thinking characteristics in his later artistic thinking as a writer, resulting in a powerful infiltration of social thinking and theoretical thinking in his artistic thinking. In the composition of his short stories, this compound thinking is characterized by the tendency of writing major themes, pursuing the depth of plot, adopting the omniscient perspective and the narrative method of turning from his limited perspective. The heterogeneity of his creative thinking compound forms the “short and short” style of rebellious style