实践,是联接人与现实审美关系的纽带和桥梁。蒋孔阳的美学即是以马克思主义的实践论为基础,以人对现实的审美关系为逻辑起点的实践美学。实践,始终是贯穿于蒋孔阳美学思想的一根红线,蒋孔阳也始终是以马克思主义的实践观点来阐释和论证他的美感思想的,对马克思有关美感的“自然的人化”、“人的本质力量对象化”两个重要的实践命题加以运用、丰富和发展,强调实践对美感发生、美感自由、美感心理形成的意义。 Practice is a link and bridge linking people with the realistic aesthetic relationship. Jiang Kongyang’s aesthetics is the practical aesthetics based on the Marxist theory of practice and based on the aesthetic relationship between man and reality. Practice has always been a red thread running through Jiang Kongyang’s aesthetic thoughts. Chiang Kai-shek has always interpreted and demonstrated his aesthetic ideas based on the Marxist practical point of view. His “naturalization” of Marxism about beauty, The essence of human beings, "the object of the two important practical propositions to be applied, enriched and developed, emphasizing the practice of aesthetic, aesthetic freedom, the formation of a sense of beauty.